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Author: Bret Battey

Cultural Exchanges Festival – tickets for concerts

Posted on February 19, 2015 by Bret Battey

Tickets for events which can form part of term 2 concert reports (MUST1009, MUST2003 etc.) are FREE for all MTI students. This applies to two concerts – Wednesday (Annette Vande Gorne) and Thursday (Philip Mead) – evenings in Pace 1… Continue Reading →

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Week 22: EMPLOYABILITY WEEK and CULTURAL EXCHANGES

Posted on February 13, 2015 by Bret Battey

Here are some highlights of Week 22 activities available to MTI/MTP students. These cover employability and Cultural Exchanges offerings. Some updates may occur prior to the events, so check back here from time to time!  Monday 23 Feb:  11.00-12.00 Commercial… Continue Reading →

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NATIONAL STUDENT SURVEY

Posted on February 13, 2015 by Bret Battey

A reminder to all third years to please complete the National Student Survey. It only takes five minutes and is invaluable to us in terms of telling us what you have liked about the course and what you think could… Continue Reading →

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Posted on February 9, 2015 by Bret Battey

John Fass Visiting Lecture Open to all PACE Studio 1 Thurs, 12 Feb 10.30 -12.00  John Fass will discuss his work in the field of interaction design and sound projects he has run for students at the Royal College of… Continue Reading →

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Get your Dissertation or Extended Report Sorted

Posted on February 9, 2015 by Bret Battey

Working on your dissertation or extended report and need to get it sorted?  Then please join CLaSS for this free student conference.  Open to all students. Wednesday 25th February 2015 9am-1pm in the Hugh Aston Building 3.03 The Conference includes:… Continue Reading →

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Concert PACE 1 Wednesday 11th February 7pm

Posted on February 3, 2015 by Bret Battey

The Birmingham Ensemble for Electroacoustic Research (BEER) was founded in 2011 as a research project to explore aspects of realtime electroacoustic music making. Particular interests include networked music performance over ad hoc wi-fi systems, and live coding (programming music in… Continue Reading →

acousmatic, algorithmic, electroacoustic, interactive, live coding

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